Monday, October 11, 2010

Midnight Mass (2003)


Holy moly, Midnight Mass is a terrible movie. But it's in the category of So-Bad-That-It's-Good. First off, it's Christian propaganda wrapped in the guise of a horror film. And like most Christian propaganda, there's nothing subtle about it. It's about as subtle as Mel Gibson (remember him?). I expected characters to turn and look into the camera and say, "It's up to you to turn this world back to a God-fearing Christian world." They do almost as much.

That aside, this film has probably the worst group of actors ever assembled - and i'm including all groups of actors, even third-graders performing a grammar school holiday play. Clearly, it was some Christian group who got a hold of film equipment and money, but decided to do the acting themselves.

The two heroes of the film are Gwen, who is referred to as "the town atheist," and her friend Joe, a fallen priest. Will they both find their way back to the church by the film's end? Of course.

The story combines the vampire legends with the zombie scenario. Basically, the world is overrun with vampires, and there are very few people left. Society has completely broken down.

So how did Gwen, who is on the heavy side, survive this long? Seriously. She seems to have trouble walking. It's both hilarious and painful to watch her move on the screen. Her body seems to be going in several directions at once, and to add to that, she likes to flail her arms around while "acting." And the director (who perhaps subconsciously hated this poor woman) has her running in a couple of scenes, and walking on sand in another scene. And he has her riding a bicycle. Basically he does everything he can to make her look even worse.

Every time she's on screen, all i could think was, "How is this one of the few people who have survived?" She never sleeps. She carries no provisions. She has no survival plan. She has no place to hide during the night. In fact, she just wanders around at night when the vampires are out. She has no weapons (except of course for a large cross that she wears, even though she's an atheist - a cross which sometimes disappears for a few scenes, then reappears). And she can't run, or even walk well. She has no skills whatsoever. How has she survived?

The only clue we get to her survival is at the beginning of the film, when a group of humans who serve the vampires capture her (easily). They're about to put her in their car, when they see a more attractive blonde and decide to get her instead, figuring they can always come back and get the fat girl later. So basically the vampires aren't interested in her. Poor girl, you get the idea that no one has ever been interested in her.

When the characters aren't preaching to the audience (and even sometimes when they are), there are some hilarious lines in this film. Like this line from Gwen: "I'm okay. As okay as I can be sitting in a Catholic church eating stew." And there is a girl, Mickey, who laments that she used to think vampires were cool and that Anne Rice was cool and on and on, but now sees how wrong she was. And then she blurts out, "I never wanted to see a dead baby." Not that we've seen any dead babies on screen or anything, or that any have been mentioned up to now.

And it seems that Mickey, before she returned to the church, was involved in a lesbian relationship with one of the vampires' servants. The only thing more frightening to Christians than vampires is of course gay people. But Mickey is over that bit of nastiness and has repented.

This movie also has - and this blew me away - a musical montage scene where the priest and the atheist and a few other people clean up the church to restore it to a proper Christian place. They remove corpses and rebuild crosses and on and on - it's like those wonderful 1980s montages where in the span of one song, a group of characters completes some impossible task. I never expected a scene like that in this film.

And of course because uptight Christians are really doing their best to hide their repressed desires, there are wonderful twisted sex scenes with flagellation and cutting and fur restraints (which i totally want, by the way). Of course, it's the "bad guys" who engage in such behavior - but it's clear that the filmmakers really enjoyed these scenes. They seemed to take more care on these than on any other scenes. Ah, if only these silly bastards could admit their true desires, the world would be a better place.

This insane pile of propaganda was directed Tony Mandile, who also co-wrote the script and even appears as an actor in the film. Ouch. This is the only film Tony directed, amen. And this is the only film that Pamela Karp (who plays Gwen) ever appeared in. Amen again.

Sunday, October 10, 2010

I Know What You Did Last Summer

I worked as an extra on the sequel to I Know What You Did Last Summer. The first sequel, that is. On my voucher was the title, I Still Know What You Did Last Summer. I absolutely thought it was a joke title, and that the real title wouldn't be revealed until the film was released. I actually thought it was a funny joke title. And when i met Jennifer Love Hewitt on the set, i told her so. I joked with her about it, because of course the entire day i spent coming up with other titles for future sequels, such as I Am Starting To Forget What You Did Last Summer and What Are Your Plans For The Fall?

Sadly, that was the actual title. I didn't know it until the film was released. And then i understood why Jennifer was giving me weird looks. Oh well.

Tonight i revisited the original film. It's not terrible, but it's not all that good either. It has a ridiculous ending. How did he get on the other side of a bathroom mirror? But there are some good things about it, and there are some genuine scares in the film. I actually believed Jennifer's fear in the film. Often when people scream in movies, it seems incredibly fake. Not so in this one.

And the moment where the killer rushes at Sarah Michelle Gellar in the shop is great.

This movie is full of bad remakes of good songs. It starts off with Type O Negative completely butchering Seals & Croft's "Summer Breeze." Then there is a lame remake of the Beatles song "Hey Bulldog" - done by Toad The Wet Sprocket. Then we have to suffer through Kula Shaker covering Deep Purple's "Hush." And finally there is purposefully bad version of "Fame" by Jennifer Bland.

There was a third movie in the series, titled I'll Always Know What You Did Last Summer. That is one title that escaped me that day on the set when i was coming up with stupid titles for future films in the series.

Friday, October 8, 2010

Black Cat (2006)

It's been a while since i've read the Edgar Allan Poe story, but i really don't recall the lesbian shower scene. I should read it again.

This adaptation is as loose as they come, and it's a mess. Also, the ADR is off; it doesn't synch up with what we see on screen at the end. But by then, it probably doesn't matter much.

The ghost cat sounds like an evil sheep. I guess that's sort of amusing.

Thursday, October 7, 2010

Jesse James Meets Frankenstein's Daughter

Well, first off, it's actually Frankenstein's granddaughter. But who cares about such details? Though she keeps mentioning her grandfather's experiments, technically it is true that while she's Frankenstein's granddaughter, she is also Frankenstein's daughter. But her father didn't continue with her grandfather's work. So...

Anyway, for the first five or ten minutes, this movie is a horror film. It introduces Frankenstein's granddaughter and her brother, and tells us that they've killed several of the neighborhood children in the name of science. Then for the next half hour it's a western. We meet Jesse James, and there is an attempted stagecoach robbery. It's actually not a bad western.

Then more than halfway into the film, Jesse James meets Frankenstein's granddaughter, as he seeks medical attention for his mate who's been shot. Frankenstein's granddaughter falls for Jesse James, but he's not interested. So like any psychotic woman, she decides to have him arrested and hung.

The movie is pretty silly. But come on, what would one expect from something with such a title? It's certainly one of the oddest Frankenstein films, and for that reason, it might be worth watching. You know, if there's nothing else on. And you have a significant amount of alcohol in your bloodstream.

Dark Reel

Oh boy, Dark Reel is a complete mess. I think on the back of the DVD box it said something like, "Keeps the audience guessing right up to its twisted end." Well, that's true. But actually it keeps the audience guessing long after the movie has ended. I mean, really, what the hell was going on? Why did the killer think that killing actors was the way to get his revenge? What about the projectionist - why did his ghost show up and speak in a woman's voice? Why did the photographer suddenly blurt out about Scarlet May having a son? Why did it take everyone so long to get from Cassie's driveway into her house (she had time to take a shower)?

Well, as much of a mess as this film is, there are actually some really good performances in it. Edward Furlong does an excellent job. Tiffany Shepis is good in this too (take a look at her IMDB page - she does nothing but horror films - very weird). But the best performance in this film is that by Lance Henriksen. He is absolutely incredible in this movie. Seriously. It's worth watching this movie just for his performance.

Also, there are some good horror moments. There is a nice bit with a pair of scissors near the end. And the mask that the killer wears is totally creepy.

Wednesday, September 29, 2010

Cyclone (1987)

Oh boy, Cyclone is another truly terrible film. You know it's awful when Heather Thomas turns in one of film's best performances. I found myself longing for Heather to return to the screen so we could get back to some better acting.

So what is it about? A special motorcycle that has a transformer that converts hydrogen into power. Also, the motorcycle has rockets and other weapons attached to it for some reason. Oh, and the motorcycle helmet has the ability to destroy telephone books. Very cool.

The motorcycle is the special project of Heather's boyfriend. But when she takes him to a punk club - and really, is that a punk club? With white polished floors? Heather has a line of dialogue about them needing to get there early because they made reservations, and this band "really packs them in." Reservations at a punk club? And the band is awful. And as far as packing them in, there are maybe twenty extras -- but anyway, when she takes him to the punk club, he's killed. So it's up to her to use the motorcycle. And she can't trust anyone.

So what's good about it? Well, Heather Thomas is in it. I had two posters of her on my bedroom walls when i was a teenager, and it's still fun to look at her. Though the costume designer put her into some terrible clothes. Martin Landau is in it too, but i just felt embarrassed for him (though this movie is bloody Oscar material compared to B.A.P.s, another film he agreed to appear in for some reason).

And the movie has the line, "I love it when you fuck up Einstein." This is during some strange nerd love ritual.

The rest is garbage, but it's fun garbage. The tone is all over the place. Sometimes it tries to be an over-the-top comedy, like all the scenes with the two bumbling detectives who are staked outside Heather's house, but who fall asleep (when they are woken, one says, "What was that?" and the other replies, "Loud noise"). Other times it tries to be an intense action film. It fails at both, but whatever.

Monday, September 6, 2010

13 Seconds

This is another truly terrible film. The plot, as far as i can tell, is a band called Night Gallery goes to an old silent movie theatre to record an album. But instead of doing any recording, or even rehearsing, the band members, the sound guys, and their girlfriends wander around in the dark and do drugs and say stupid things that the writer makes them say. And then maybe there are ghosts or something. Something strange in an art gallery. Why is there an art gallery? They also mention something about students taking classes there. At the silent movie theatre? Or did the writer forget that he had a character say it was a silent movie theatre? Who knows? There's a library too.

This film has the worst dialogue. Here's a scene for you:

Moron #1 walks downstairs, where Moron #2 is standing in the dark.
MORON #2: "What's up?"
MORON #1: "Not much. Hey, what's going on?"
MORON #2: "Wish I knew."

Cut to shot of full moon.

Here is some more from a little later:

MORON #1: "Hey, have I ever told you about this re-occurring dream I have? Now that scares the hell out of me." (Yes, he says "re-occurring," not "recurring.")
MORON #2: "You've had this more than once?"
MORON #1: "This is serious. This is something I can't outgrow."

Okay, one last bit of dialogue:
KARA: (sadly) "Colin, how many times have the rules been reversed?"
COLIN: "That's not important. What's important for me is going back to my room and getting drunk."
KARA: "You ever do something for so long you forget why you do it?"
End of scene.

This movie has some creepy imagery, but it doesn't matter. Not one of the characters is the least bit interesting or compelling, and no one in the film has even the smallest amount of acting ability. It also seems like all the dialogue was recorded later, and the actors were just reading from the script.
Also, we don't know where anybody is. We have no idea of the layout of the place - especially as there is almost no lighting. So no scene seems connected to any other. No character seems connected to any other. No room seems connected to any other. So while there is some slightly amusing gore, the shots that should be scary are not, because they don't seem connected to anything.
This film is a complete mess. It tries to add an explanation at the end, but by the end i had checked out completely, and didn't care. And if i had cared, i probably would have been really annoyed, because the explanation is one of those that sort of negates everything that's happened anyway. I don't recommend this one to anyone at all.