Michael kills his
mother’s boyfriend and his sister’s boyfriend (in the original, the sister's boyfriend was able to
leave the house unscathed because Michael was really only after his sister)
before going upstairs to kill his sister. His sister is listening to “Don’t
Fear The Reaper” on her headphones when Michael enters her room. Really, Rob
Zombie? “Don’t Fear The Reaper”? Could you be a little less original? There is
nothing subtle, nothing clever here, and no suspense. He took a classic and
turned it into a run-of-the-mill slasher film.
Anyway, Michael puts on
the boyfriend’s Michael Myers mask, which just seems silly and laughable, in
part because it’s too big for him, and in part because it feels like he's pretending to be the character from the original film. Michael then goes into his baby sister’s
room and says “Happy Halloween.” One
good thing is that Michael’s mom (played by Sheri Moon Zombie) wears a sexy
patchwork fur jacket in two scenes. But even after she returns home to find
Michael holding the baby (still alive), we stay in that time period in order to
get footage of the police and news reporters on the scene. Completely
unnecessary.
Then we cut to eleven
months later, with more news footage of Michael Myers being transferred to the
hospital. And we see Dr. Loomis (Malcolm McDowell) interviewing him. And yes, Michael
Myers talks in this version. He talks about a mask he made, and he and Dr.
Loomis discuss whether black is really a color. Again, in the original, Dr.
Loomis’ later description of Michael as a completely silent boy is eerie and
frightening. Here, instead, we see the boy chatting away with Dr. Loomis, which
is not scary at all. Michael denies his guilt. And we have a scene of his
mother visiting him. And then a janitor tells Michael to learn to live inside
his head. And then Michael stabs a nurse with a fork. After that, there’s home
movie footage of Michael that his mom watches before shooting herself. The
original film needed none of this stuff. Granted, I watched the director’s cut,
so perhaps a good deal of this pointless footage wasn’t in the theatrical
release.
The movie then goes to
fifteen years later. Finally. At this point, we’re thirty-eight minutes into
the film. Michael is now a giant. And Dr. Loomis says that Michael hasn’t
talked in fifteen years. Dr. Loomis then says Michael has become his best
friend. Really? His best friend is someone who hasn’t spoken to him in fifteen
years? Whatever, it doesn’t matter, because in the next moment, Dr. Loomis says
he’s giving up on his best friend and won’t be coming to see him anymore. He
then goes on a book tour, discussing Michael’s case.
Two janitors decide to
rape a young female inmate in Michael’s room, thus giving him the chance to
escape. First he kills everyone in the place, including the other janitor that
was nice to him. So we lose that great scene from the original where Dr. Loomis
drives up to the hospital at night. Basically everything that was great about
the original is missing from this version. What we get instead is a trucker in
a bathroom quoting Cool Hand Luke. Great.
Thanks, Rob Zombie.
When we finally get to
Halloween and meet Laurie Strode (you remember, the main character of the
original film), we are fifty-four minutes into this remake. Rob Zombie sure
likes to waste a lot of fucking time. We should be happy to finally meet
Laurie, but Rob Zombie has fucked this up too. This Laurie comes off as the
opposite of the original, making sexual jokes to her mother in her first moment
on screen. Ouch. Jamie Lee Curtis was instantly likeable in the original film.
Not so with this girl. When Tommy catches up with her on the street, she tells
him to leave her alone. Boy, Rob Zombie just got every single thing wrong.
Meanwhile, Michael Myers
returns home and rips up some floorboards to take out a knife and the Michael
Myers mask that his older sister’s boyfriend had been wearing. What, he buried
it under the floorboards after killing his sister fifteen years ago, then
replaced the boards before waiting outside for his mom? Come on! At least Rob Zombie was smart
enough to use John Carpenter’s music. It’s one of the only good things about
this movie. By the way, by showing us Michael taking out the mask and knife, we
know that he’s in the house before Laurie even gets there. So, once again, we
lose a scary moment from the original, when Laurie walks up to the house and we
suddenly realize Michael is already in there. Rob Zombie has absolutely no clue as to how to build suspense.
Oddly, this version keeps
the three girls saying “totally” over and over as they walk home from school.
In the original, it was a cute character trait, but it doesn’t fit at all with
this version as it takes place in 2007. In this version, Linda and her boyfriend
go to fuck in the Myers house, which makes things a lot easier on Michael, and
once again eliminates any suspense. And after they fuck, she puts on the
portable radio she’d brought, and – I seriously can’t believe this – “Don’t
Fear The Reaper” is on. Again? I’m beginning to think Rob Zombie is a fucking
moron. He does keep the bit with Michael wearing the sheet and the boyfriend’s
glasses.
One good thing is we get
a scene where Dr. Loomis goes to buy a gun. That actually makes sense. What
makes the scene even better is the surprise appearance by Micky Dolenz as the
gun store owner. Another surprise is that Michael kills Laurie’s parents.
Dr. Loomis makes the leap
that Michael has returned for his baby sister, and tells that to the sheriff.
The sheriff luckily knows exactly what happened to that baby sister. Rob Zombie
does come up with a different ending, where Michael captures Laurie and takes
her back to his house, maybe to connect with her again. But she stabs him,
which he doesn’t appreciate, and any warm feelings this psycho might have had
for her immediately evaporate. After that, we just get the typical slasher
movie ending.
And that also ends any
interest I might have had in any future Rob Zombie projects.
No comments:
Post a Comment